makz: Photo of makz in teal sunglasses (Default)

Amazingly, I have not run out of things to talk about re: the comparisons I'm drawing in my brain between what Hathaway seems to be doing with its parallels between Char's singleminded and past-facing actions and Hathaway's hesitance to let go of the past even though he knows it's ruinous.

I saw the movie a second time yesterday, which let me pay slightly more attention to the details I'd found most interesting during my first viewing, and… well, all the same warnings apply as for the last two posts, if you wanna read what I'm thinking about.

really i just want to talk more about mishima parallels; will you please indulge me on that )
makz: Photo of makz in teal sunglasses (Default)

Yesterday, I dismantled a thread of thought I've been unwinding lately in regards to Tomino's views on gender and connectedness throughout Gundam and expressed clearly in the most recent Hathaway movie. I want to expand on those thoughts, why they're contributing to what I called "the stress soup of my brain," and what's been bothering me as I try to write from Lalah's POV, keeping all those things in mind. But also, if we want to continue from the last topic, I need the reader to already have read that post, and to read that post fully presumes you've watched at least Counterattack and both Hathaway movies (or read the books — and if you have, please don't tell me what happens, as I haven't yet!) and will extend me enough grace to be a bad person, bullying the Captain.

So that's a big barrier to entry. Feel free not to engage with this, if none of that describes you.

(Edit: In addition to the above, in this post, I hint at the spoilers I do know about the ending of the Hathaway's Flash novels. So be warned!)

that was a lalah quote, by the way. warui hito wa ne, taisa wo ijimeru nante. )
makz: Photo of makz in teal sunglasses (Default)

I just saw Hathaway’s Flash 2 at my local AMC and all I can think about is Mr. Tomino’s views on gender as both expressed by, and expressions of, ways by which people relate to the unknowable bounds of the future and more knowable systems of violence.

I’m very intensely focused on these topics lately (I’ve been writing fanfiction from Lalah’s perspective) and Hasakun 2 is right in front of me, and the stress soup of my mind is reacting to it as if I turned towards the familiar spectre of Quess and instead—

You know what, I don’t want to throw spoilers at you without your permission, so continue under the tag, if you dare.

since i've been writing lalah lately and worrying about office politics, i've become delightfully unhinged )

Thank you for coming to my terrible TED Talk; enjoy your weekend.

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makz (they/she)

May 2026

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